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VOLUME 20 ISSUE 2 MARCH 2006
SPECIAL ISSUE: EUROPE: THE FIFTIES LEGACY
Guest Editors: Nancy Jachec & Reuben Fowkes
| Reuben Fowkes and Nancy Jachec | Introduction: Art and Politics in 1950s |
| Nancy Jachec | The Gruppo degli Ottz Communisms in 1950s Italian Painting |
| Natalie Adamson | ‘An ambitious meaning links us to history’: Reconsidering the Situation of la jeune peinture in Paris, 1956 |
| Nevenka Stankovic | The Case of Exploited Modernism: How Yugoslav Communities used the Idea of Modern Art to Promote Political Agendas |
| Susan E. Reid | The Soviet Art WOrld in the Early Thaw |
| Éva Forgles | 1956 in Hungary and the Concept of East European Art |
| Katarsyna Murawska-Muthesius | 1956 in the Cartoonist’s Gaze: Fixing the Eastern European Other and Denying the Eastern European Self |
| Rueben Fowkes | Croatia/Hungary: Socialist Realist Art Criticism at the Crossroads in the 1950s |
| Peotr Piotzowski | Mapping the Legacy of the Political Change of 1956 in East European Art |
| Jennifer Way | ‘Imaginings’ of Geography: Devolution, Americanisation and Works of Artwriting, Art and Culture |
| Rasheed Araeem | When the Naughty Children of Empire Come Home to Roost |
| Genoveva Tusell Garcia | The Internationalisation of Spanish Abstract Art (1950-62) |
| Harriet A L Standeven | The Appeal of an Image: The Explosion of Commercial Paint Use Amongst Britain’s Abstract Artists in 1956 |
| Nathalie Aubert | ‘Cobra after Cobra’ and the Alba Congress: From Revoluionary Avant-Garde to Situationist Experiment |
| Isabelle Moffat | The Labyrinth, the Laboratory and the Labyratorium |